Absolute Cinematic Shots.

You know, I'd not join this contest with this post as I didn't try the cinematic shots I'd do if I knew about the theme when I was playing but now I notice there are some fantastic cinematic shots I'm going to share in this post so I'm giving it a try.

After the Sun king left taking his troops, Marad guessed Aloy might like to spend some times with her friends so he let her be and asked her to speak to him when she'd be ready to depart.

Now I had to modify my spear (compulsory) and talk to some friends (optional) and I went for the optional objective first and ran to Avar to have some words.

Avad first talked about the sculpture of Aloy and then he was asking Aloy to stay at the palace for a time. Then Avad asked Aloy if she'd return to Meridian and stay when her mission is over and I got to try moments of emotional choice there.

I understood Avad's intention was not good. He was already walking taking his wife and child and now wants to be with Aloy. I could reply him harshly but I choose the medium response where Aloy uses her insight to find a clever, less obvious approach.

Then I met Nasadi and Itamen who should be the wife and child of Avad. As Itamen, the kid wanted to say something to Aloy, she gave him attention and the kid thanked her for her service and also asked if she could train her fighting later and she agreed.

There were Uthid and Vanasha whom I don't remember from the first installment but they sounds like good friends of Aloy. At first Vanasha, the lady tried to poke Aloy as he left without saying goodbye last time but then they bid Aloy goodbye for now.

I found a workbench close to the couple and I used it to upgrade my newly acquired spear and installed master override.

Then I ran to bid Marad and Varl goodbye where Marad asked if Aloy is ready to go and I made her say she's ready. When Varl was talking like he was going with Aloy, she said she'd spend the night there in Meridian.

I understood Aloy's trick when she sneakily left Meridian when Varl was sleeping cause she knew Varl won't leave her alone and it was a beautiful morning when Aloy planned to leave.

The views in this cinematic part are the ones I'm joining the theme for cause I got some fantastic cinematic shots from this cinematic part.

Aloy was riding her mount all by herself when the sun was still rising. She was having a long ride from warmth to cold. There was a fantastic BGM and I was seeing credits when she continued her journey.

I was enjoying these views to the fullest, especially that moment above where she was riding through the rain was really special for me so I used it for the thumbnail. Then she passed some snowy routes where the mount couldn't pass freely, it seemed like.

Then Aloy reached This part where she had to leave her mount and use a passage to get to Barren Light but the operator there said he had orders not to operate the passage as the whole valley below was infested with machines.

Aloy threatened that she'd crank the passage down if she'd have to so the operator had nothing to do but cooperate.

That passage looked like an elevator with strong mechanism and I enjoyed the views from there and I could use the photo mode freely from then.

I noticed a Carja Sun-Priest below who was cranked down the previous day and that man was threatening a guard below to do as he says.

After Aloy reached the ground level, that man was talking about his wrath but Aloy didn't care and stopped him as she was talking to the guard there.

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The next post will be coming soon. Screenshots are my take from the game and I took the game logo that I used on the thumbnail picture from online.

SEE YOU.